It has been a while since we had a new exhibitor at the Kiln. Sarah van der Bank is not exhibiting at the Kiln building yet but her work is available on the Kiln FaceBook page and may be ordered directly from us.
Sarah is a born and raised Midlands lady. She grew up and was schooled right here in Howick and now lives in the Mkhuze Game reserve with her conservationist husband, Lance, and young son, Meryck. Here is a taister of some of Sarah’s work.
Like most of us at the Kiln, Sarah’s work may also be viewed and purchased through The PictureBox in Pietermaritzburg www.picturebox.co.za
I have, for a long while, been asked to photograph more Scarabs. The problem has been finding specimens to photograph. After much searching I found these. This post is extremely short. I just want feedback on the very simple “draft” photos of these four insects. Please ignore the imperfections.
Goliathus albosignathus, the Goliath Scarab. One of the largest Scarab beetles on earth and found from Limpopo up into Central Africa.
Eudicella smithi, Smiths Scarab. Another interesting insect from Burundi, Central Africa.
Ranzania burtolinii, Burtolini’s Scarab, male from Tanzania, East Africa
Ranzania burtolinii, Burtolini’s Scarab, female, from Tanzania, East Africa.
This month Tess joined us at the Kiln. A few of her words and then a number of images :
“Born in 1971 and raised in Durban, South Africa, I had an interest in art from a young age. I grew up next to two well know artists and teachers, Jeff and Pascal Chandler who helped to encourage my interest in the Arts. My father was artistic too and loved doing portraits & designing furniture.
I pursued art throughout my schooling and studied Interior Design at college where I was introduced to photography. This has continued to interest me as I enjoy spending time capturing the images for my art works. After completing my training, I designed wrought iron furniture and learnt a lot about proportion.
I moved to Zimbabwe in 1994, got married and lived and worked there until 2003 before moving back to Durban to work for Architects in the Interior Design field. At the end of 2010 my family and I moved to Howick, for a change of lifestyle and to pursue my passion for art full time. My inspiration is God’s Creation … seen through the love of a child or the beauty of a delicate flower. I capture these special moments in time and portray them in my art.”
“Conversation – 1010mm x 765mm – R 5700.00”
“Wheelbarrow – 400mm x 300mm – R 1250.00”
“Lantern – 250mm x 355mm – R 910.00”
“Burgundy blossom – 400mm x 305mm – R 1250.00”
There has been silence from my side as we all dashed off for Christmas at my parents home in the Hogsback in the Eastern Cape Province of South Africa. As usual with my visit to Hogsback the trip would involve time on the bicycle and as much butterflying as possible. The main focus butterfly wise was to find a number of endemics, some of which had neve been photographed. These included Penningtons Opal (Chrysoritis penningtoni), Dicksons Copper (Aloeides dicksoni) and the Gaika Sylph (Metisella syrinx). Added to the list was as many photographs of the Amakosa rocksitter (Durbania amakosa amakosa) as possible to compare with our local insect as well as the one that I discussed in my last post, from the Bushmans Neck area.
The drive to Hogsback was long and hard. As we approached we were greated by a massive thunder storm that was followed by a day of soft rain and cabin fever (me on holiday needing exercise, Tracey wanting to get out and three little girls). It was good though as it gave us time to spend time with my folks, sister Leonie from Cape Town, other sister Nikki and her husband Rod and their little ones over from Kansas. On day two we sis see sunshine for a few hours and I dashed out to a local wetland to look for Satyrids.
On arrival I found a few specimens of Serradinga clarki, they are very difficult to photograph as they flit around all over the place rarely landing and when they do it is in a clump of grass making taking a photograph very difficult. After a few unsuccessful attempts I decided to wonder up a rocky ridge and to my supprise saw a skipper flitting around the rocks. After a few minutes of following it around I was able to get a few photographs. There were a number of the little beauties flying around enguaging in aerial battles.
I was a little confused with the ID of the skippers however Ernest Pringle and Torben Larsen both agreed that they were Tsitana tsita.
Shortly after seeing the skippers I noted a small dark butterfly flit onto a rock. Immediately I knew that it would be a rocksitter and there it waqs, a small male, a bit ropey but I was chuffed to find that they were in the area and immadiately started looking for more. After an hour I had photographed approximately 10 males and a female. They are smaller than the Drakenberg and Natal subspecies and lack the orange dital markings on the other two. Compare the photographs below to those from Bushmans Neck (previous post)
Durbania amakoza amakoza male (The Amakoza Rocksitter)
Durbania amakoza amakoza female (The Natal Rocksitter)
The next two days were wet and one was Christmas so we spent a very over indulgent day at Coombe Dingle. The 27th December was to be a good day, or so all the weather web pages said, so we planned an assault on Gaikas Kop to try to get the rareties. We woke up early to a breezy, overcast and chilly day. I knew that the Chrysoritis colony that we were to visit was on the protected slopes so was fairly confident that we would be out of the wind and that we should be successful if the clouds broke. The climb is short and pretty hard but the flowers over December are wonderful. Various species of Watsonia (in particular W pillansii with the odd white form popping up in the patches or red) and the robust Kniphofia northyi were to be seen. It was very strange that the Proteas, once so abundant on top and on the slopes, were in a very bad way with huge patches having died. I climbed with Tracey (my wife), sisters Leonie and Nikki and brother in law, Rod and they were most shocked when, upon reaching the top I told them to walk half way down the other side to the colony. Gaikas Kop is an amazing place. It is flat on top and obviously collects a lot of water as whenever I have visited the sides of the hill seep water all over the place. On the way down to the colony I saw a small Lyceanid butterfly flitting around. It turned out to be Orachrysops nasutus nasutus, a fairly widespread cousin of the rare O niobe and O ariadne (I posted about this butterfly a few posts back). It was a female and I was able to get a few photos, one is attached.
Female Orachrysops nasutus nasutus, the Nosy Blue
We got to the Chrysoritis colony, it was shielded from the wind and the clouds did break up giving us windows of opportunity to look for the illusive little butterfly. I found them at the spot way back in 1993 and, since then, have visited on a number of occations either on my own or with Alan Heath and Harald Selb. Every time that I have visited I have seen them. Even my father, Bruce (not a butterfly person), has been up there on his own and collected a specimen for DNA analysis at the Museum of Comparative Zoology (Harvard). The 27th was different. I did not see a single specimen. Sad but that it how things go and I will have to return to photograph them. I did however find a lovely fresh female Serradinga clarki whose wings were still floppy. I got some great photos of her before we left.
Serradinga clarki (Clarks Widow) female
The walk down is through Thamnocallamis bamboo, a bamboo endemic to the higher slopes of the Southern Drakensberg and the Amatolas. This bamboo is the foodplant of Metisella syrinx (the Gaika or Bamboo Sylph). As soon as we got into the bamboo we saw the butterfly. It is a beast to get close to and photograph as the hillside is steep and strewn with boulders and the higher bits of the bamboo very difficult to access. After unsuccessfully chasing a few I finally got one to play the game and sit for a short period, shot enough to get two shots but to short to get an upperside. One of the two is attached.
Metisella syrinx (The Banboo or Gaika Sylph)
Things have been pretty wild for the last few weeks getting the Agric Hall going anf people have been asking me whats happening for December. Well December is here and the first person who will be in for the period Dec/Jan is Steve Bailey. Steve is an award winning Eastern Cape based photographer. A brief bio follows as do a number of photographs but please visit Steve site www.stevebailey.co.za for more information.
This December we hope to see Allen Hallett return to the Kiln after a very successful exhibition in Gaborone.
An now a brief bio :
“Steve Bailey was born in Liverpool, England and moved to Southern Africa when he was 10.
He has always had a passion for Photography – eventually studying Graphics/Photography, obtaining a City and Guilds Diploma in Graphic Reproduction.
He spent 25 years in Zimbabwe before moving to Cape Town, South Africa. He is now resident in Bedford in the Eastern Cape”, and a few photographs…..
A few weeks ago University of Natal art student, Sharon Weaving, approached Fran to use the Kiln at the Karkloof Farmers Market as a venue for the examination of her work. So, for the next week the Kiln is hers and her examiners. Next Saturday we will be back in and her work will be on view along with ours.
So, before I post photographs a short blurb on Sharon….
“I have always been passionate about art and craft. Whether ceramics, beadwork or knitting I find that creating with my hands is exciting, fulfilling and therapeutic. My passion stems from my Mom’s love for all handcrafts and the enjoyment she derives from experiencing a new craft and passing on her knowledge. I am excited to hear about the activities of new craft movements currently on the go. These are worldwide initiatives motivated by like-minded artists / crafters, young and old, encouraging people to appreciate all that is handmade. I think this is wonderful as these movements promote the ‘funky’ aspects of craft, and how contemporary art and craft can be used in development, activism and therapy. I believe that art and craft are such an important part of life and should be promoted as such.
I was first introduced to ceramics by attending underglaze painting classes which later progressed to running a ‘ceramic-painting’ studio from home. My passion for ceramics continued and I decided to study a BA (Visual Art) at UKZN, followed by Honours and Masters majoring in Ceramics. I started hand-building with porcelain in my Honours year, demonstrating an exploration of texture and translucency in my work. My ideas progressed further with the piercing of the vessel surface to create shadows.
The casting of shadows continued into the body of work that I now present. I started making geometric structural forms which were dipped in paper porcelain and fired to 1200˚C. The fired structure assumed a soft, organic quality in its slumped state which I found appealing, and continued to play with this element of ‘chance outcome’. Whilst working with these forms I discovered that I wanted to achieve a greater organic quality of form and decided to make the frames myself to have more command over the final product.
Countless test pieces later I discovered the composition of material, process and clay body suitable to create my recent works. Each piece is individually crocheted, dipped into an ‘engobe’ and dried over a mould. Once dry, the pieces are fired to 1200˚C, burning away the crochet cotton , leaving a hollow, fragile, porcelain structure each of which casts its own unique delicate shadow. I am very excited to have been able to use an age-old craft such as crochet in an unconventional manner thus illustrating that there is a place for time-honoured crafts in contemporary ceramics and other art forms.“
Again it has been a mad week with exams, work and getting the new gallery ready for opening. That asside Fran and I are nearly there and ready to have the gallery open next Saturday (the 12th). We will be sharing a room with Senqu at the Agric Hall in Howick.
To date the people exhibiting will be : Author and photographer Steve Woodhall, well known nature photographer and author Roger de la Harpe, Aritsts Denise Beuck and Andre de la Rosa, photographers Toni le Roux, Fran Simmons and myself. We are hoping that sculpture Allen Hallett will confirm as will Peter Wickham, Doug and Deryck Morton and Cheryl Logan.
Tony Thomson, local Amber valley resident and artist, will man the gallery and paint during the week.
This gallery, like the one at the Farmers Market, has been established as a showpiece for local artists and photographers. You will not find a selection of Midlands material as diverse and unique as this anywhere else so stop off and have a coffee, say “Hi” to Tony and have a look. I am sure that you will like what is to be seen.
And now some photos of material that will be on display (apologies for those who follow my blog as a few of these will be repeats).
The first photograph is Toni le Roux’s. Toni entered this into the “Natural History” category of the N3TC competition this year and won the category!!
Next we have Steve Woodhall. Steve is the president of the Lepidopterists Society of Africa and author of a number if books on butterflies (all of which will be available at the Kiln)