Last week I posted a blog on some recently opened Stapeliads. These are interesting succulent plants from Africa, Arabian Peninsula and India. Now it is time to post a few recently opened orchids. No more words just photographs.
The first is Zygopetalum James Strauss, a rather interesting little plant with lovely flowers.
There is no theme for this weeks blog as I simply had a go at a few opportunistic subjects.
I have been working on photographing the life history of a butterfly called Charaxes varanes (if you follow this blog you will see the imagine in the next six weeks). I have always been fascinated by the head shields of the Charaxinae butterflies and they make fantastic subjects for portraits. A few years ago I bred a number of local Charaxes butterflies and got the entire life history on camera. Ch varanes is a common insect and I have bred it a number of times however never had the chance to catch the hole thing on film. The third and fourth instar head shields are spectacular. Here is the third instar portrait.
The second image that I worked on this weekend is that of a Stapeliad, S graduliflora. I blogged on these plants recently and discussed the fact that they attract flies to fertilize them (their foul smell attracts the flies, large flowers can be smelt from quite a distance, the smaller are inoffensive). This plant has never flowered for me. I received it from a friend who travelled to Springbok in the North Western Cape. This is a stack of 10 images stacked to obtain a greater DOF (using Zerene Stacker, Canon 100 f 2.8)
I have, for a while now, been photographing butterfly eggs with my MPE 65. The most recent egg that I have done is that of the Banana nightfighter, Moltena fiara. This egg was found on the leaf of the host plant, Striletzia nicholai, here in my Wembley garden. It never ceases to amaze me how beautifully structural these eggs are with the ribbing to add support and allow a thinner wall.
These next two portraits of a fly and an antlion were great fund to do, just battled with the DOF.
Finally, a while back I noticed this mint Colotes annae annae (Scarlet Tip) male in the garden. I never thought that I would see one here as this is a bushveld bug but here it is feeding on my Pentis!
As everyone knows, I am a butterfly person. In the last year I have been able to get upclose with the camera and been able to photograph the eggs of a number of species of butterfly. Here are a few of the more interesting eggs that I have photographed this year. What fascinates me, from an architectural and structural perspective, is the structure of the wall of the egg to support and strengthen the entire thin walled egg. Anyway, enough geek talk, here are the photographs,a few are re-posts but interesting nevertheless. Shot with the faithful MPE65 and MT24EX combo.
The first photograph is of Eretis umbra, the Small Marbled Elf, A rather drab little Hesperid.
The next photograph is the egg of the Common Mother of Pearl, Salamis parhassus, a spectacular Nymphalid found in the area (and my garden)
The third photograph is the egg of the Common Black-Eye, Leptomyrina gorgias a Lyceanid that breeds on a number of our Crassulas and other succelents.
The last egg for the time being is that of Orachrysops subravus, the Grizzled Blue, another Lyceanid and cousin of two of our rarest butterflies O ariadne and O niobe.
This last Friday I visited Ladysmith in KwaZulu-Natal to attend a Christmas lunch. While on the way up I stopped off at The Aloes Nursery and brought a few plants. I loaded them up, had lunch and then drove home. When I was offloading the plants I found that I has an unexpected visitor, a female rain spider complete with a large egg sac. I was able to keep her still and fire off a few photographs before putting here in a safe place to wait for the little ones to hatch.
Here are a few photos of her (portraits) all taken with the MPE 65 and MT24EX twin light set up on the Canon.
Yesterday I was wondering through the flowers at home and found a mating pair of weevils, the in copula shots were rather dissapointing however here are two, one taken with the 100mm f2.8 USM and the other with the MPE 65 at approximately 3x. Both shots are lit with the MT24EX twin light.
I have recently been posting a lot of macro images taken with the MPE 65. I have always thought that the MPE would be a lens stuck away and used occasionally. I have however found that it spend a lot more time attached to the camera. It is not a field lens but is great fun under controlled conditions. This latest set of photographs was taken with the subject (a Salticid Spider) on a piece of paper and instead of the up close and personal photographs I tried a few full body shots. The attached were all taken at either 4x (portraits) or 1,5x (full bodies). All with the MPE and MT 24 EX flash system, minimal crop.
This last weekend my friend Clive Curtis and I spent some time at Wahroonga, a special piece of grasslands between Howick and Boston in the KZN Midlands. Our hope was to film species such as Lepidochrysops pephredo (the Mooi River Blue), L tantalus (the tantalising blue), Aloeides susanae (Susans copper) and Orachrysops subravus (The Grizzled Blue). We got to the farm at around 09h30 in the morning and there was a load of activity with specimens of O subravus and A susanae a plenty, the latter being hard to photograph as they rarely settle. Anyway, after a few hours we had the last two on the list ticked off, along with Leptomyrina gorgias (the common blackeye) and some eggs. We missed the first two on the list.
Anyway, here are some photographs of the insects and eggs. The eggs were taken with the MPE 65 at maximum zoom (5x) with very little DOF so I stacked three images in each using Zerene Stacker.
The first series were takes with the Canon 100mm f2.8 USM with the 430 EX Speedlight
Orachrysops subravus, the Grizzles Blue, female
Orachrysops subravus, the Grizzles Blue, female
Aloeides susanae, Susans Copper, female
Leptomyrina gorgias, the Common Blackeye, female.
Orachrysops subravus egg, stack of three images usinfg Zerene stacker. MPE 65 at 5x
Leptomyrina gorgias egg, stack of three images using Zerene stacker. MPE 65 at 5x
It has been a while since we had a new exhibitor at the Kiln. Sarah van der Bank is not exhibiting at the Kiln building yet but her work is available on the Kiln FaceBook page and may be ordered directly from us.
Sarah is a born and raised Midlands lady. She grew up and was schooled right here in Howick and now lives in the Mkhuze Game reserve with her conservationist husband, Lance, and young son, Meryck. Here is a taister of some of Sarah’s work.
Like most of us at the Kiln, Sarah’s work may also be viewed and purchased through The PictureBox in Pietermaritzburg www.picturebox.co.za
Charaxes candiope candiope, the Green-veined Charaxes, is a common visitor to gardens here on the East coast of South Africa. I planted the foodplant, Croton sylvaticus, in my garden five years ago. The two that I planted have struggled due to the winter frosts. While living on Botswana I noted them laying on another species of Croton. Anyway, I have seen the butterfly breed successfully on my trees for the last three years and finally decided to photograph it this year.
In March this year I found a number of eggs on may trees. I gave a number to my friends, Stephen Woodhall and Harald Selb, and then bred the balance though.
The eggs are laid as singletons (very occattionally two) on the upper side of the large Croton leaf. They are approximately 2mm in diameter and butter yellow on being laid.
After about 24 hours the egg gets the typical brown ring showing that it is fertile.
After about five days the first instar larva emerges. The first meal is the egg shell. This little chap is about three mm long on emergence.
After four days the larva has its first skin shed. The second instar larva has the first dorsal spot.
After a further six days the next shed takes place. At the shed the larva measures about 14 mm long. After the shed the larva has two dorsal spots and a rather fantastic head shield. The next blog I post will be the head shields of this insect (which are spectacular).
After a further seven days the larva sheds again to become the spectacular fourth instar larva. Watch the next blog for head shield shots, this one is superb.
Again it only takes a week for the fourth instar larva to fatten up and shed its skin. The larva is about 35mm long at the shed. The fifth instar is large, after 14 to 21 days of eating it reaches 50 to 60 mm in length and gets ready to pupate.
The larva finds a quite spot and spins a silk pad, hooks in (with anal hooks) and begins the pupation process. This lasts three of four days afterwhich it sheds its skin and pupates.
The pupa, the incredible stage preceding the butterfly.
After three weeks the pupa begins to “colour up”, the stage when you can see the wing and body colouring appeat through the pupa. Withing 12 hours it emerges. The insect below is a female. The males below.
Male Ch candiope candiope.
Please watch this blog for the post of head shields, they are spectacular.
A month ago, well known story teller and historian Rob Caskie approached Fran and myself to use the Kiln to present talks. We naturally thought that this was a great idea and Rob presented his first talk on Tuesday night. The talk was on Rorkes Drift, one of the great Anglo Zulu battles and was a fantastic success. Rob’s next talk is completely different and the focus is on the great continent of Antarctica. The first quarter of the 1900’s saw great expeditions. Some successful, others not. Successful expeditions generally saw heros come home. Unsuccessful ones saw heros remain entombed in the ice. Very occationally you saw unsuccessful expeditions return home. Rob’s next talk on Scott, Amundsen and Shackleton demonstrates this very well. Scott raced Amundsen to the South Pole, Amundsen won, Scott remains there. Shackleton was caught in the ice, his ship was crushed and his story is epic. His entire crew rowed to Elephant Island afterwhich he took a small whaler and travelled to South Georgia. He returned and rescued the entire crew from Elephant Island. The trip has been recorded as a great feat of mountaineering, leadership at the highest level and the greatest exhibition of navigation skills ever. The talk is on the 17th April 2012 at the Kiln.
I am not going to go through Rob’s resume again as he is very well known. All I wish to add is that he has recently addressed the Royal Geographic Society and was flown to the continent of Antarctica to present the talk he will at the Kiln.
Future talks include the battle if Isandlwana amd other great African stories….
And now a photo or two..
Rob and Fran at the Kiln
Rob on the ice. Who on this great lump of rock would talk in shorts on the ice pack ?(except Rob C of course)
Here in KwaZulu Natal we have two members of the genus Durbania. Members of the species Durbania amakosa fly throughout the Eastern region, from the coast right up to 2500m is suitable areas. They are also mid summer insects, emerging in November on the coast and later at higher altitudes. Our localised Durbania limbata is a bit of an anomoly, it flies in late summer. Mid March is the best time to find it. A few weeks ago my old friend Harald Selb visited us from Cape Town and Steve Woodhall, Clive Curtis and I spent a day butterflying in the midlands with him. I did not take him to the D limbata spots as I thought we may be too early. Instead we visited the forests nearby and Woodridge. A week later Clive and I visitied the old “Pennington spot” at Curries Post above Yellowoods. Clive wanted HD video footage and I have to say that, despite having bred the insect from larvae found on the rocks had never seen it live. So Clive and I visited the old spot. After introducing ourselves to the owner we walked over to the colony (with his over active dogs in tow…..anyone who has ever tried to photograph butterflies will know that a bouncing, loving labrador is not a great help when trying to focus on a butterfly at 20cm). We wondered around and saw very little apart from a very territorial Spialia spio. I checked the rocks and found loads of old pupal cases but no insects. After 1/2 an hour of searching I was beginning to think we were to late and then Clive saw a D limbata. That was it, over the next hour we saw loads. Along with the D limbata were what have to be the most frustrating butterflies on the planet to photograph, Stygionympha wichgrafi, they rarely site and when they do it is for a second or two. I have a hard drive of in flight escape shots!! I got one relaxing. All that said, I feel that if we had stopped with Harald we would have seen them. Pity but good reason for him to come up again next March. Here are a few photos of the day.
Spialia spio, the Mountain Sandman
Spialia Spio, the Mountain Sandman, underside.
Stygionympha wichgrafi, Wichgrafs Brown.
Durbania limbata, the Natal Rocksitter.
Durbania limbata, the Natal Rocksitter.
Durbania limbata, the Natal Rocksitter.
Clive Curtis videoing D limbata.
Clive Curtis doing his thing.
This month Tess joined us at the Kiln. A few of her words and then a number of images :
“Born in 1971 and raised in Durban, South Africa, I had an interest in art from a young age. I grew up next to two well know artists and teachers, Jeff and Pascal Chandler who helped to encourage my interest in the Arts. My father was artistic too and loved doing portraits & designing furniture.
I pursued art throughout my schooling and studied Interior Design at college where I was introduced to photography. This has continued to interest me as I enjoy spending time capturing the images for my art works. After completing my training, I designed wrought iron furniture and learnt a lot about proportion.
I moved to Zimbabwe in 1994, got married and lived and worked there until 2003 before moving back to Durban to work for Architects in the Interior Design field. At the end of 2010 my family and I moved to Howick, for a change of lifestyle and to pursue my passion for art full time. My inspiration is God’s Creation … seen through the love of a child or the beauty of a delicate flower. I capture these special moments in time and portray them in my art.”
“Conversation – 1010mm x 765mm – R 5700.00”
“Wheelbarrow – 400mm x 300mm – R 1250.00”
“Lantern – 250mm x 355mm – R 910.00”
“Burgundy blossom – 400mm x 305mm – R 1250.00”
South Africa’s largest butterfly, Papilio ophidicephalus phalusco, the Emperor Swallowtail, Life History
The largest butterfly in Southern Africa is, without doubt, the Emperor Swallowtail (Papilio ophidicephalus). The insect is found throughout the mist forests in Southern Africa (through into East Africa). In South Africa we have a number of sub-species, ssp phalusco is found in the Eastern Cape and KwaZulu-Natal as far north as Greytown, ssp zuluensis in the Eshowe area, ssp ayrsi in the Northern KZN into Southern Mpumalanga, ssp transvaalensis in the Drakensberg and Wolkberg Notrh of the Oliphants river and ssp entabeni in the Soutpansberg way up there in the Limpopo Province. There are a number of other ssp including the nominate further North but we shall stick to ssp phalusco, the one that I know most intimately myself being an inhabitant of their range.
Before I carry on, this post shall not go into detail regarding the length and duration of the instarts (period between skin sheds), as this has all been documented at length by the likes of Clarke and van Son. Instead I shall discuss what I observed during the short eight weeks of the cycle from egg to adult.
My old friend Clive Curtis has always been very pationate about butterflies. We have travelled all around the province together colelcting and breeding butterflies and he is currently working on a DVD about South African Butterflies (www.safarivision.com). Part of the work toward this is documenting the life histories of a particular species in each family. Clive chose the most spectacular of our swallowtails (P ophidicephalus phalusco) as one focus species to breed. He captured a female in the Karkloof had her lay about 20 eggs and past 15 on to me to breed at home.
The Papilionidae (swallowtails) are spectacular insects. All South African readers will know the Orange Dog (Papilio demedocus demedocus) or Green Banded Swallowtail (Papilio nireus lyaeus) from their gardens. These two breed on, amongst other plants, the Citrus species such as lemon, grapfruit and orange trees. Our species, the largest of all, is a far more selective eater. It eats a plant known as Clausena anisata (known as Perdepis in Afrikaans, loosely translated as Horse pee due to its smell when you crush the leaves). Anyway, the first stage of the life history is the egg. Eggs are laid lingly on leaves of the foodplant. The eggs are circular, cream coloured and between 1 and 1.5mm in diameter. It takes the little larvae take about five or six days to mature to eclosure or larval emergence. Just prior to the little larva breaking out of the egg it darkens up. Upon emerging from the egg the larva has its first meal, the old egg shell. To gat an idea of size the larva is approximately 2mm long on emergence. So, to photos, the first photo is of the egg while the second is of the young larva eating the egg shell.
OK, after the little creature eats its shell it settles into life as a butterfly larva. This is a dangerous life, birds, robber flies and spiders want to eat you, wasps and flies want to sting you and lay their eggs in your little body and have their babies grow in you (while you are still crawling around and eating). You are not equiped with very much to evade these hazards, you cannot crawl fast but you can hide. From the moment that these little larvae start to eat they begin to look like a piece of bird dropping. From the first to the fourth instar they larvae look like a bird dropping. They stay on the leaves, eating, growing and shedding skin until, after approximately four weeks they reach the final instar that is different. Of interest is that, during the third and fourth instars, the larvae rest with a slight twist to their body (see the photos below). Anyway, here are photos of the second, third and fourth instars.
The final instar is very different. Rather then resting on the leaves they spend their sleeping time at the base of the tree or branch. This means that they no longer need to resemble something grim like a bird dropping and are supprisingly different with beautiful green and brown patches on the skin. The lumps and bumps are still evident (indeed into the pupal stage). Of interest, the Papilio butterflies have a defensive mechanism, a foul smelling structure known as the ostometrium that it pops out of its head when threatened. As said they smell foul and obviously tell all attackers that they are not a pleasant tasting meal at all. Below are a number of photos of the final instar (and a couple with the mutters with their ostometrium exposed)
The most magical of all butterly larval stages has to be larva to pupa to butterfly. After 7 to 14 days as fifth instar larvae they get nice and fat and lethargic. The process of change begins. They slip off and find a safe place to spend the next two or three weeks as a vulnerable pupa. The Papilio butterflies all have a girdle holding the pupa in place. Like most other butterflies they spin a silk pad which that they attach themselves to (by anal appendages known as cremaster hooks). They also spin a girdle which is a little like you undoing your belt and slipping it around a branch and the fixing it. It allows you the spend your pupal stage, head up leaning back. The pupa is splendid, rather like a twig with a bit of lichen underneath.
Finally, after two to three weeks (and longer during winter) the adult emerges. Not much more can be said of the butterfly, most people have seen it. It is safe to say, and an awful cliche, that, like most jouneys the destination is great but the route is enlightening. The path to adulthood of these beautiful butterflies is full of risk. The response is a wonderful evolutionary result where larvae and papae are beautifully cryptic. Below are shots of a freshly emerged male.
Anyway, I must conclude by saying that if you want to see these butterflies, it is easy. All you need to do is get into open spaces within the mist forests on a sunny day in Summer (peak in November/December and again in March/April) and you will see them flitting around. An old trick is that they love the colour red. About 20 years ago I purchased a car for its colour, a bright red VW, and it was perfect to attract Papilio butterflies (especially P ophidicephalus and P euphranor) to come closer.
Things have been pretty wild for the last few weeks getting the Agric Hall going anf people have been asking me whats happening for December. Well December is here and the first person who will be in for the period Dec/Jan is Steve Bailey. Steve is an award winning Eastern Cape based photographer. A brief bio follows as do a number of photographs but please visit Steve site www.stevebailey.co.za for more information.
This December we hope to see Allen Hallett return to the Kiln after a very successful exhibition in Gaborone.
An now a brief bio :
“Steve Bailey was born in Liverpool, England and moved to Southern Africa when he was 10.
He has always had a passion for Photography – eventually studying Graphics/Photography, obtaining a City and Guilds Diploma in Graphic Reproduction.
He spent 25 years in Zimbabwe before moving to Cape Town, South Africa. He is now resident in Bedford in the Eastern Cape”, and a few photographs…..
A few weeks ago University of Natal art student, Sharon Weaving, approached Fran to use the Kiln at the Karkloof Farmers Market as a venue for the examination of her work. So, for the next week the Kiln is hers and her examiners. Next Saturday we will be back in and her work will be on view along with ours.
So, before I post photographs a short blurb on Sharon….
“I have always been passionate about art and craft. Whether ceramics, beadwork or knitting I find that creating with my hands is exciting, fulfilling and therapeutic. My passion stems from my Mom’s love for all handcrafts and the enjoyment she derives from experiencing a new craft and passing on her knowledge. I am excited to hear about the activities of new craft movements currently on the go. These are worldwide initiatives motivated by like-minded artists / crafters, young and old, encouraging people to appreciate all that is handmade. I think this is wonderful as these movements promote the ‘funky’ aspects of craft, and how contemporary art and craft can be used in development, activism and therapy. I believe that art and craft are such an important part of life and should be promoted as such.
I was first introduced to ceramics by attending underglaze painting classes which later progressed to running a ‘ceramic-painting’ studio from home. My passion for ceramics continued and I decided to study a BA (Visual Art) at UKZN, followed by Honours and Masters majoring in Ceramics. I started hand-building with porcelain in my Honours year, demonstrating an exploration of texture and translucency in my work. My ideas progressed further with the piercing of the vessel surface to create shadows.
The casting of shadows continued into the body of work that I now present. I started making geometric structural forms which were dipped in paper porcelain and fired to 1200˚C. The fired structure assumed a soft, organic quality in its slumped state which I found appealing, and continued to play with this element of ‘chance outcome’. Whilst working with these forms I discovered that I wanted to achieve a greater organic quality of form and decided to make the frames myself to have more command over the final product.
Countless test pieces later I discovered the composition of material, process and clay body suitable to create my recent works. Each piece is individually crocheted, dipped into an ‘engobe’ and dried over a mould. Once dry, the pieces are fired to 1200˚C, burning away the crochet cotton , leaving a hollow, fragile, porcelain structure each of which casts its own unique delicate shadow. I am very excited to have been able to use an age-old craft such as crochet in an unconventional manner thus illustrating that there is a place for time-honoured crafts in contemporary ceramics and other art forms.“
Again it has been a mad week with exams, work and getting the new gallery ready for opening. That asside Fran and I are nearly there and ready to have the gallery open next Saturday (the 12th). We will be sharing a room with Senqu at the Agric Hall in Howick.
To date the people exhibiting will be : Author and photographer Steve Woodhall, well known nature photographer and author Roger de la Harpe, Aritsts Denise Beuck and Andre de la Rosa, photographers Toni le Roux, Fran Simmons and myself. We are hoping that sculpture Allen Hallett will confirm as will Peter Wickham, Doug and Deryck Morton and Cheryl Logan.
Tony Thomson, local Amber valley resident and artist, will man the gallery and paint during the week.
This gallery, like the one at the Farmers Market, has been established as a showpiece for local artists and photographers. You will not find a selection of Midlands material as diverse and unique as this anywhere else so stop off and have a coffee, say “Hi” to Tony and have a look. I am sure that you will like what is to be seen.
And now some photos of material that will be on display (apologies for those who follow my blog as a few of these will be repeats).
The first photograph is Toni le Roux’s. Toni entered this into the “Natural History” category of the N3TC competition this year and won the category!!
Next we have Steve Woodhall. Steve is the president of the Lepidopterists Society of Africa and author of a number if books on butterflies (all of which will be available at the Kiln)
The Kiln Gallery at the Karkloof Farmers Market and soon to be at the Howick Agricultural Hall as well.
I have not posted for a while, mainly because I have been away in the Northern Province and further working rather hard with Fran and Doug getting our new venture going. The new one is another Gallery. Doug and Fran started the Kiln at the Karkloof Farmers Market and two months into it we were approached by Laurence Hancock, a local farmer and business man, about establishing a permanent exhibition at the Howick Agricultural Hall. This was to be open 7 days a week which would help us enormously. Anyway, we have been getting printing done, sorting out painting and trying to employ people. Hence no posts.
Oh, and I forgot to add, if you have not been to the Kiln FB page then do, and like it and you will be kept up to date with all the goings-on. See http://www.facebook.com/#!/pages/The-Kiln-Gallery/192143797488771
The new gallery opens its doors on the 12th November so we hope to see everyone there!! Anyway, to close off a few pictures. Bye!!
We at the Kiln have wanted to open for 7 days a week for a while. Last weekend we were approached by a local businessman who offered us space in his property on a tourist route. We are talking to other exhibitors to join us and we have a number of exciting new people who may join us. That is all for this week as there is a lot of work to be done. So, cheerio and here are a few photos that we hope will be housed at the exhibition, if they are not there then they will be at the Karkloof Farmers Market.
Before this post, please keep your eyes open regarding what we are going to be doing, Doug has some very interesting and exciting plans and we are planning a number of specifically Kiln activities. Also do not forget that it is the Karkloof Farmers Markets birthday in two weeks so on the 24th September they will be having their birthday market. So keep watching and now for my post…………..
After introducing our first permanent exhibitor and co-founder, Fran Simmons, now it is time for our other first permanent and co-founder, Doug Morton, in his own words……………………
“Born in Pretoria in 1947, Doug was introduced to the bush at the age of four years when his family moved to Cullinan, near Pretoria. He preferred the veld to anything that school had to offer, and learned to hunt fearsome butterflies, observe everything around him, to run away from snakes and to treat all wildlife with respect. He developed a deep and lasting love of birdlife. By the time he and Terri married in 1969 Doug had been trained as a combat photographer in the SA Defence Force. He’s retained some of that expertise and now spends every available moment with his digital camera in hand, recording the people and the flora and fauna of South Africa. He’s ardent about nature and conservation, and hopes his efforts contribute to the environment for the enjoyment and education of all South Africans. He and Terri live in Pietermaritzburg, as do their son Deryk, his wife Elise and their daughter Claire, while their daughter Shayne, her husband Angus and their daughters Joely, Ella and Jess live in Surrey, United Kingdom.”
Earlier this month I introduced our two invited artists at The Kiln (Andre de la Rosa and Toni le Roux). Until we announce the next invited artists I am going to post a weekly blog on the permanent exhibitors at The Kiln. The first person profiled is local studio, family and wedding photographer Fran Simmons. With Doug Morton, Fran took the initial steps to get The Kiln established and the two of them invited the rest of us to be part of it. Frans work is unique and the material at The Kiln demonstrates this.
And now, a little about Fran in her own words….
“I’m a real local girl I was born in Pietermaritzburg but spent most of my life in the Natal Midlands and I now live on a beautiful farm in the Karkloof with my husband Matt and my wonderful busy boys Troy and Rowan.
I have loved photography since I got my first camera many years ago – but for me the most exciting thing was getting my first digital camera. A whole new world opened up for me! I think photography is definitely my way of expressing my artistic side and I love to use it as a magic wand to capture the beauty in very simple things and record my objects, as honestly as possible that’s why I so enjoy still life photography,
Portraiture and family photography is also so close to my heart because I can’t believe the speed in which little ones grow and I feel all photographs are there to remind us of what we forget.
I have a studio at my home on the farm and I do my utmost to keep the studio sessions so relaxing and enjoyable for every one we take ‘comfort breaks’ as and when we need them. I think what is just so special too in taking photos of people, is in the short time you spend with them you form a bound and when they finish their session you feel as though you have known them forever.
Find me on facebook (Fran Simmons Photography) or have a look at my web site www.fransimmons.co.za
Tel: 033 3306036 / 083 943 8430”
Finally some examples of Frans work. For more please see her web site or her album on The Kiln facebook page http://www.facebook.com/pages/The-Kiln-Gallery/192143797488771?ref=hnav (oh, and while there Like Us, and you will be kept up to date with all the happenings)